Graciela Iturbide

There's a fascinating piece in the L.A. Times about an exhibit by Mexican photographer Graciela Iturbide. Thanks to Tex(t)Mex for the tip. (Above, The Angel of Sonora, 1979.)

A student of photographer Manuel Álvarez Bravo and perhaps most famous for a prodigious, alluring body of work made over six years in the remote village of Juchitán in Oaxaca, Iturbide, 65, has had a prolific career and has shown all over the world. This month, however, marks her first museum exhibition in Los Angeles. "Danza de la Cabrita (The Goat's Dance)" at the Getty Center contains nearly 140 pieces highlighting Iturbide's work in Mexico and the U.S. -- and the line in the sand that attempts to separate the overlapping lives she's found there. "The Mexican and the American Mexican," says Iturbide, "are marginal people -- on both sides of that line.

"Her work expresses "the culture between the culture," says author Luis Rodriguez, who has also been pulled to the worlds that call to Iturbide -- Oaxaca and of course the East L.A. gangs he became famous for writing about in his memoir "Always Running." "It's the way I think of Mexico when I'm in Mexico City. You feel all the layers -- the ancient, the indigenous, the modern all coming together. Her photographs are borderless. Everything comes streaming over it. No border, no wall will stop that."